Monday, 1 October 2012

Arthur Rackham

A couple of images from the wonderful illustrator Arthur Rackham. The one on the left is the cover of Snickerty Nick by Julia Ellsworth Ford, published Moffat, Yard & Co, in 1919, and on the right a superb illustration from Some British Ballads, published by Constable & Co, in 1919.


The Mummy

The Mummy by Riccardo Stephens and published by Eveleigh Nash in 1912. It is thought that over 20,000 words were cut out of the 1923 Hutchinson reprint. This was the book that inspired the making of the film of the same name, starring Boris Karloff.


Classic Supernatural Novels

I love these old supernatural novels, and short-story collections. Below you will see photographs of The Weird Orient which is a collection of oriental tales based on legend and folklore collected by Iliowizi during his residence at Tetuan, Morocco. And also a very scarce first edition of The Way of Lucifer by Andrew Clark.



Sunday, 30 September 2012

Early Science Books

I will be posting a large number of interesting very early science related title-pages for your enjoyment.
No.1. My attempt at translating old English. A Prognostication Everlasting of Right Good Effect ... At The End Plain, Brief, Pleasant, Rules to Judge the Weather. Written by Leonard Digges, and published in 1556.



No.2. De Zee-Atlas, Ofte Water-Weereld. By Pieter Goos. Published in Amsterdam in 1666.


No.3. Monalosphaerum by Jean-Francois Fernel. Published in 1526. The monalosphaerum could be used for astronomical and time measurements, and for finding height and distances in surveying. Apparently.


 
No.4. Globe Du Monde by Simon Girault. Published in 1592. The text, in dialogue form, contains an account of the discovery of America.


No.5. De Magnete by William Gilbert. Published by Peter Short in 1600. An important presentation copy of the first major English scientific treatise based on experimental methods of research, and which is the foundation of electrical science.


No.6. Salt-Water Sweetened; Or, a True Account of the Great Advantages of this new Invention both by Sea and by Land. By Robert Fitzgerald. Published William Cademan, in 1683.


No.7. Subtensial Plain Trigonometry, Wrought with a Sliding-Rule, with Gunter's Lines: And Also Arithmetically, in a Very Concise Manner... By Thomas Abel, of Bourn in Lincolnshire. Printed and Sold for the Author, by Andrew Steuart, 1761.




No.8. Arithmeticall Navigation: Or, an Order therof; Compiled and Published for the Advancement of Navigation. By Thomas Addison, Practitioner in the Art of Navigation. Printed for Nathaniel Gosse at Radcliffe, in 1625.




I will post some more scanned images on here over the coming weeks.

Saturday, 29 September 2012

Mussolini on Marriage

Mussolini as an Agony Aunt might seem unlikely to us today, but before he decided to get into bed with Mr. Hitler he was surprisingly popular in the UK. This advert appeared in a 1928 issue of John O'London's Weekly.
I have 100s of rare issues of early John O'London's Weekly, if you are interested in purchasing any of these fascinating literary periodicals please don't hesitate to contact me.

Clockwork Orange

The cover from my 1972 Films and Filming magazine which features the soon to be released Stanley Kubrick classic A Clockwork Orange, which was an adaptation of Anthony Burgess's 1962 novella.
If you are interested in purchasing this magazine please don't hesitate to contact me for details.

Dudelsack by Gerald Kersh

In my humble opinion this is one of the best short stories ever written. First published in the October 9, 1942, issue of John O'London's Weekly. Below you can read just the beginning, it might help to wet your appetite to read more of Kersh's wonderful writing.

When something stirs up the bottom of my cup and the bitter grounds get between my teeth; when I am sad and angry, I think of Dudelsack. And so I shall remember him always. He was a strange, forlorn little man. In thick-soled boots he stood four feet seven inches tall. In a wet overcoat he might have weighed ninety pounds. Somehow he had managed to live sixty years. He was grey, small bodied and hairy as a bird-eating spider. Out of his flannel shirt sprang a skinny neck, so tense and sinewy that it might have been an arrangement of wire designed to prevent his head from flying off. Now that I think of it, the top of his skull really did look like the flat, dented dome of a champagne cork. Unhappy Dudelsack, so full of pressure and ferment - there must have been good strong stuff inside him before his jolting journey through Time shook it all to foam......

If you are interested in purchasing this John O'London's Weekly please feel free to contact me for details.

Friday, 28 September 2012

Arthur Rackham and Alice in Wonderland

Published by William Heinemann in 1907. This in number 1073 of 1030 copies published. Includes 13 coloured plates and other illustrations by Arthur Rackham, red morroco and gilt by Bayntun-Riviere with morroco onlay design of Alice.

Winnie-the-Pooh

Complete set of Winnie-the-Pooh books published by Methuen, 1924-28. All illustrated by E.H. Shepard.

Vladimir Nabokov/Vladimir Nabokoff-Sirin

Published in 1936 Camera Obscura was the authors first book to be translated into English. Most copies of this first edition were destroyed in a warehouse fire, so this book in its original dust jacket is very rare.

Paradise Lost

Paradise Lost a Poem in Ten Books. Now that is a proper poem. Scan of the title pages of my 1669 and 1671 editions.

Thursday, 27 September 2012

Books and Fruit

I have decided to try and print some of the title pages from my rare book collection on to fruit. Here is my first attempt.
 

John Keats

Below you will see a scanned image of the title page of one of my more valuable books, Poems, Supposed to have been written at Bristol, By Thomas Rowley, and Others, In the Fifteenth Century; This was published in 1777. If you look closely at the top right hand-side of the image you will see that John Keats has inscribed by hand this volume to Henry Reynolds.

Thursday, 20 September 2012

Every Picture Tells a Story

I wonder how many completely different stories would be written if you gave twenty writers the task of studying my photograph below, before unleashing there literary imaginations.

Wednesday, 19 September 2012

A Name in Vain

Two Hour Short Story

It was not a big hotel and it had a clean well-kept air. It would probably do, Ralph Curtis thought. He walked in and turned towards the reception desk. Behind it a dark, good-looking girl smiled at him in welcome, but he hardly noticed. His mind was ruminating on the walk he had just done from the railway station. The dazzle of shop-lights, the swish of car wheels through the wet streets, the incipient cold in his head, had combined to bemuse him a little. He stared about him momentarily, almost as if to establish his surroundings more clearly in his mind. He was vaguely conscious of the girl's expectant attitude.
"A single room, please." he said absently and with such diffidence that he noticed it himself. "Just for one night. And I should like some dinner, please."
"Yes sir. Dinner is being served now. Sign the register, please." He had not wished to be discourteous, but it was clear that his remoteness had displeased her. All he wanted was a quiet evening, with his thoughts undisturbed, in readiness for the heavy day that lay ahead tomorrow.
His hand wrote rapidly and he looked down to see with a start that he had written  as his name "Rudolph Curwen." It was quite an easy mistake to make, really, for Ralph Curtis was a similar looking name, and a familiar one too. As he had walked from the station his eye had been caught by a display in a bookseller's window. The name Rudolph Curwen was monotonously repeated on the cleverly stacked copies of a newly published novel. The appearance of the display remained clearly in his mind, and above all the name of the author seemed to dominate his thoughts.
He looked down at the entry in the register. You could hardly cross out one name and write in another. Altogether too peculiar, it would create suspicion. The seconds were passing by and still he stood staring at it. The receptionist was looking at him, frowning in a puzzled way. It would not do if she thought she recognised the name, though probably she was of the thousands who never read a book. Meanwhile, the time had passed when he might have changed it. Someone less shy, he was thinking, would just have laughed it off, altered the name and made some remark about being run in for impersonation.
The receptionist handed him a key. "Room 107, Mr Curwen." There was a new note of awe in her voice. "Excuse my mentioning it, sir," she went on, in the breathless manner of one taking the plunge. "But I saw in the bookshop that you are going to be there tomorrow to autograph books people buy. She was as shy and apprehensive as Ralph Curtis himself.
He began to protest. "You must not think that my business here tomorrow..." but she went on "I've just read The Heart's True Fancy. Such a lovely story. Would you sign it for me please, sir?"
He suddenly felt foolish, with a thumping, sinking feeling in his stomach. He turned his face away to hide his blush. He could not start writing "Rudolph Curwen" inside books. There was no telling where that would lead before the evening ended.
"Later, perhaps," he said, annoyed with himself for again sounding curt and remote in his confusion. "I must get settled in my room first."
He had not protested his identity as Ralph Curtis. He seized the key, turned and almost ran towards the stairs.
When he came down a little later for his dinner he sat at an unoccupied table for two, and noticed with pleasure that few people were in the dining-room. After a dinner in peaceful solitude he would take a short walk to look at this town of Stavebury which he had never before visited.
As he started on his soup he became aware of a man approaching him. A loud, hearty voice said. "Don't mind if I join you, do you?" and at once a florid man in a brown tweed suit sat facing him, his square, red face beaming below his glossy, black hair. "Always lonely, first night in a hotel, so I've come to keep you company. Habit of mine. Bit of friendliness among strangers always welcome, eh?"
He gave a little laugh, while Ralph Curtis moved his lips, not knowing himself the significance of the meaningless sound which emerged. Conversation with this insensitive type would be impossible. But he looked the sort who might be content to chatter away without getting any response.
"My name's George Peacock," the man was saying. "Lived in this hotel for ten years. Must have chatted to thousands of birds of passage, as you might say, in that time. Extraordinary what a lot of remarkable people there are about. That's something really in your line, eh?" He gave his little chuckle again and looked across the table knowingly.
Ralph Curtis gave him a blank, cold look. He could be obstinate with these aggresive bone-heads. It was pleasant people who made him shy and self-conscious, because there was an obligation to be pleasant himself.
"What do you mean, my line?" He tried to sound aloof.
"Well you know, all these books. Never read any of them myself, I must admit. Westerns are more to my taste."
"What books?" said Curtis, unsmiling and without interest.
Peacock laughed. "Oh, come off it, now, Mr. Curwen. I've had a look at your name in the hotel register."
Ralph Curtis turned to look wildly round the dining-room. It was still nearly empty, but at least one curious eye was upon him. This man Peacock had such a loud voice.
"You mustn't take me for the novelist," he said desperately. "After all, 'Curwen' is not such a terribly uncommon name."
Pecock laughed still more louldly. "That's a good one, Mr Curwen." He put his soup spoon down and began to tick off the items on his fingers. "One: Rudolph Curwen will be autographing books at Hawkins and Hudson tomorrow. Two: you arrive today. Three: your Christian name's Rudolph. Then you say you're not the novelist. That kind of coincidence might get by in one of your books, Mr. Curwen, but give old George Peacock credit for a little common. End of sermon." He laughed again and resumed eating his soup.
"As I say, I've not read any of your books," Peacock went on, "but I like the titles in the shop window. Awake and Dream, for instance; how did you think of that one?"
Curtis could stand no more. He got up from the table, feeling the blood in his cheeks, mumbled something about being back shortly, and rushed out, carefully avoiding the eyes of diners and waiters. He almost ran to the foot of the stairs, where he found the way blocked by a smiling young man. "Mr. Curwen? I am a reporter from the Stavebury Echo. Would you favour me with a short interview?"
"No, no, impossible." He tried to run upstairs but three people were coming down, filling the whole width. He was trapped.
"Do you take your characters from real life? Have you anything I may quote about your next book?"
Curtis was desperate. "Can't tell you. Leave me alone," he stammered out incoherently. "Got a headache. Heavy day tomorrow."
He pushed his way past, ran to his room and shut the door. He sank trembling and exhausted into an armchair.
Next morning he had his breakfast in his room, the slipped rapidly out into the street. He walked down to Hawkins and Hudsons, entered and said to an assistant, "Mr. Curtis to see Mr. Hudson."
He was shown into an office at the back. Mr. Hudson rose beaming from his desk, one hand extended in greeting.
You are very prompt, Mr. Curtis. I trust you enjoyed your quiet evening in Stavebury yesterday?"
"It was terrible," said Curtis. "Like a fool, I absentmindedly signed my pen name in the hotel register."